Oh Yeah, from 1962, is Mingus at his sloppiest and most festive. Even the sadder songs are inspiring and full of life. The odd vocalizing fits the whole chaotic feel. I love the more cerebral side of
Black Saint & the Sinner Lady, but
Oh Yeah is great for a completely opposite reason (and it's crazy to think that they're only a year apart). My 80s Atlantic Jazzlore reissue has horrible packaging, but fortunately the sound is not harmed—it's a fine mastering job.
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