1995's Chorus features thick sheets of distorted guitar. While these layers somehow sound more atmospheric than aggressive, it's heavy for a Flying Saucer Attack album. There's a lot of reverb, bits of droning feedback, and buried vocals that sound far away. A lot of tracks on Chorus employ drastic panning across the sound field. The sound is thick and full of body, and the LP is cut at a loud volume. The reverse stock paper captures the cover image nicely, and the design flatters the music nicely.
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